China Masterpieces from Qing Imperial Painting in Paris
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PARIS, FRANCE.-To celebrate the fifth anniversary of its reopening after renovation, the Guimet Museum will present to the public for the first time an exceptional collection of painted scrolls, imperial commissions intended to celebrate events marking the reign of three great sovereigns Qing: Kangxi (1662-1723), Yongzheng (1723-1736) and Qianlong (1736-1796).

The reign of these three powerful emperors represents one of the great moments of the history of china. Thus, several events throughout the world have recently been dedicated to them. At the Musée de Versailles the exhibition Kangxi was one of the major events during the Year of china in France. The Royal Academy of Arts in London recently organised, together with the Museum of the Forbidden City in Peking, a major exhibition entitled china: The Three Emperors 1662-1795, which received high public acclaim. Now, thanks to this exhibition, the Guimet Museum will bring a major contribution to this subject by showing for the first time in Paris, a real treasure among its collections, the nine imperial scrolls, some of which measure up to sixteen metres. This exhibition will, therefore, provide its visitors with a unique opportunity to discover works, too precious to be presented to the public apart from during exceptional events and which also bear testimony to imperial politics as is clearly demonstrated by the imperial visits in the provinces, the ceremonies marking the solar calendar, the embassies and the hunts which represent for the Manchus and the Mongols genuine military exercises.

From these scrolls in sumptuous colours, the visitors will be able to experience, in front of these scenes brimming with life which abound in picturesque details of the poetic landscapes forming a real panorama of seventeenth and eighteenth century china, the wonder one feels in front of the miniatures from the mediaeval Very Rich Hours.

They will notice, equally, how much this painting, stemming from a deep Chinese tradition exercised a real power of attraction on the occidental artists invited to collaborate on several imperial commissions, in particular the Jesuit painter Castiglione who became the official painter to Emperor Qianlong. His touch can be recognised in several of the Guimet Museum’s scrolls. The National Museum of the Palace of Taipei kindly lent to this exhibition two works by this artist including the famous painting The Empress Watching over the Sericulture Rites.

Testimonies of Castiglione’s collaboration with the Chinese artists will serve as a point of reference in the comparison between two fascinating traditions through the very fact of the distance that lies between them: the Chinese tradition and the European tradition. The power of attraction of Chinese aesthetics on occidental artists is such that their approval of china will even lead them to take a Chinese name…

From the Museum’s rich collections in the two fields of painting and porcelain, through the technical and stylistic processes of the painting, the public will be able to ponder over the spatial arrangement of the landscape designs, characters and even the historiated scenes as well as the role given to perspective in the occidental manner.

More than 100 works from the Ming and Qing dynasties will be presented: monochrome scrolls and album sheets, paintings on fans, engravings, porcelain, albums of imperial seals and work dealing with perspectives.

http://www.artdaily.com/section/news/index.asp?int_sec=2&int_new=15870&b=china


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"LES TRÈS RICHES HEURES DE LA COUR DE CHINE (1662-1796)"
"The Very Rich Hours of the Court of China - Masterpieces from Qing imperial painting", 26 April – 24 July 2006

The exhibition is organised by the public establishment of the Guimet Museum of Asian Arts
With the valued support of Crédit Agricole SA


To celebrate the fifth anniversary of its reopening after renovation, the Guimet Museum will present to the public for the first time an exceptional collection of painted scrolls, imperial commissions intended to celebrate events marking the reign of three great sovereigns Qing: Kangxi (1662-1723), Yongzheng (1723-1736) and Qianlong (1736-1796).

The reign of these three powerful emperors represents one of the great moments of the history of China. Thus, several events throughout the world have recently been dedicated to them. At the Musée de Versailles the exhibition Kangxi was one of the major events during the Year of China in France. The Royal Academy of Arts in London recently organised, together with the Museum of the Forbidden City in Peking, a major exhibition entitled China: The Three Emperors 1662-1795, which received high public acclaim.  Now, thanks to this exhibition, the Guimet Museum will bring a major contribution to this subject by showing for the first time in Paris, a real treasure among its collections, the nine imperial scrolls, some of which measure up to sixteen metres. This exhibition will, therefore, provide its visitors with a unique opportunity to discover works, too precious to be presented to the public apart from during exceptional events and which also bear testimony to imperial politics as is clearly demonstrated by the imperial visits in the provinces, the ceremonies marking the solar calendar, the embassies and the hunts which represent for the Manchus and the Mongols genuine military exercises.

From these scrolls in sumptuous colours, the visitors will be able to experience, in front of these scenes brimming with life which abound in picturesque details of the poetic landscapes forming a real panorama of seventeenth and eighteenth century China, the wonder one feels in front of the miniatures from the mediaeval Very Rich Hours.

They will notice, equally, how much this painting, stemming from a deep Chinese tradition exercised a real power of attraction on the occidental artists invited to collaborate on several imperial commissions, in particular the Jesuit painter Castiglione who became the official painter to Emperor Qianlong.  His touch can be recognised in several of the Guimet Museum’s scrolls.  The National Museum of the Palace of Taipei kindly lent to this exhibition two works by this artist including the famous painting The Empress Watching over the Sericulture Rites.

Testimonies of Castiglione’s collaboration with the Chinese artists will serve as a point of reference in the comparison between two fascinating traditions through the very fact of the distance that lies between them: the Chinese tradition and the European tradition. The power of attraction of Chinese aesthetics on occidental artists is such that their approval of China will even lead them to take a Chinese name…

From the Museum’s rich collections in the two fields of painting and porcelain, through the technical and stylistic processes of the painting, the public will be able to ponder over the spatial arrangement of the landscape designs, characters and even the historiated scenes as well as the role given to perspective in the occidental manner.

More than 100 works from the Ming and Qing dynasties will be presented: monochrome scrolls and album sheets, paintings on fans, engravings, porcelain, albums of imperial seals and work dealing with perspectives.

http://www.museeguimet.fr/gb/homes/home_id20636_u1l2.htm

with kind regards,

Matthias Arnold (Art-Eastasia list)

http://www.chinaresource.org
http://www.fluktor.de

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